Having spent the first 10 minutes crushed beneath someone’s armpit in a packed and sweaty Scala, it’s painfully obvious Thurston Moore still has a massive following in London. They were still cramming them in well into the start of his set on a sultry June Thursday night and the former Sonic Youth man seemed pleased to be back in his […]
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Earwig mainman Lizard McGee is heading to the UK this month to play a series of shows in support of new solo album Spooky Jets At A Distance. The British dates will be the first performances outside the US for the Columbus, Ohio, musician, who’s been making and releasing records on his own LFM label since the early ’90s.
My first encounter with Robyn Hitchcock came while watching the BBC’s Whistle Test in the late 1980s. Hitchcock was performing one of his most lauded songs Brenda’s Iron Sledge, featuring the immortal lyric: All aboard Brenda’s Iron Sledge/Please don’t call me Reg/It’s not my name.
The Primitives are back with their first new music since 2014 album Spin-O-Rama. Now signed to Madrid-based Elefant Records, the band have been riding a wave of nostalgia since their 2009 reunion.
Spanning 30 years of recording, Lovely Creatures is a collection of Nick Cave and the Bad Seeds music from their 1984 debut From Her To Eternity to 2013’s 15th studio album Push The Sky Away. Compiled by Cave and longtime Bad Seeds cohort Mick Harvey, the album was scheduled for release in Autumn 2015, but shelved following the death of Cave’s 15-year-old son […]
It may have escaped your notice in this competitive age of downloads and streaming, but Mark Nevin has quietly been amassing a considerable canon of solo material. Best known for his work with Fairground Attraction and Morrissey, My Unfashionable Opinion is his fifth solo album.
Sub Pop veterans the Afghan Whigs have been ploughing their own peculiar furrow through American rock for more than 30 years now. In Spades is their second album of new material since returning to recording in 2014 with To The Beast.
I’ve spent quite a long time in the company of Brood X now and it’s my pleasure to tell you it never gets old. Coolly referencing their lengthy hiatus – the album is named after a cicada that resurfaces every 17 years – it’s a record that respects Boss Hog’s history but packs a few surprises as well.
I must confess to knowing vert little about One Eyed Wayne prior to this review, but a title like Attack of the Luxury Flats was always bound to get my attention. The debut album by the Hornsey quartet, it’s an endearingly ramshackle ride, which wears its influences firmly on its sleeve.
It’s been 17 long years since Boss Hog last had an album to tour, so Friday’s show at Hackney’s Oslo was an event not to be missed. After a subtly beguiling support slot from Aussie songsmith Suzie Stapleton, the tiny above bar venue began filling rapidly in anticipation of one of New York city’s most carnal and provocative cult acts.